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(Click here to see workshop description)
Schedule: July 9, 10 - from 12 p.m. to 6 p.m.
July 11, 12 - from 7 p.m. to 11 p.m.
Location: July 9, 10 - Vortex Dance Center, 58 Leningradskoe shosse.
July 11, 12 - Lyalin substreet 3A, room 44, Moscow.
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To find out who leads INTENSIVES, CI Classes in each specified day and what are the classes for adults and children, click at the following words in timetable!
| time |
17.07 (Sun) |
18.07 (Mon) |
19.07 (Tue) |
20.07 (Wed) |
21.07 (Thu) |
22.07 (Fri) |
23.07 (Sat) |
24.07 (Sun) |
| 0700 - 0800 |
1700 - 1900
Participants Arrival and Registration
1800 - 1930
DINNER
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Yoga / Release |
| 0800 - 0900 |
breakfast |
| 0930 - 1230 |
intensives |
Day Out |
intensives |
JAM |
| 1230 - 1400 |
LUNCH |
LUNCH |
| 1400 - 1530 |
Labs "Come-to-try" |
Creative Time Workshop for kids and adults |
Creative Time Workshop for kids and adults |
Creative Time Workshop for kids and adults |
One2One sessions |
13.15 - 15.00
Packing, cleaning space
15.00 - Participants departure
|
| 1530 - 1600 |
break |
break |
| 1600 - 1800 |
Classes |
Performance research labs |
Classes |
Performance research labs |
Classes |
| 1800 - 1930 |
Dinner |
Dinner |
| 1930 - |
Open circle
JAM
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JAM |
JAM |
Performance and feedback
JAM |
JAM |
Performance and feedback
JAM |
Closing circle
Sweet JAM |
Print Version
You may choose one of the following:
Adrian Russi Give & Take | Benno Voorham Improvising Contact Improvisation | Natanja Den Beoft Being Here Now | Scott Wells Flying ≠ Jumping (The FlyingScore) |
Classes on 18th are lead by:
Danya Elraz (class 1) SimplyContact | Debora Sbaiz (class 1) Realize your vision.. in a performance! | Leilani Weis (class 1) Activating the point of contact | Maria Grudskaya Light active weight |
Classes on 20th are lead by:
Alexandra Bezrodnova Movement Awareness on the Level of Fascia | Ekaterina Velichko Sounding trio | Itay Yatuv (class 1) Can you hear it? | Leilani Weis (class 2) Anytime and anywhere |
Classes on 23rd are lead by:
Danya Elraz (class 2) FeelingContact | Debora Sbaiz (class 2) Falling onto the table! | Ilona Kenova & Yaniv Mintzer Contact Simplicities | Itay Yatuv (class 2) Performance: I'm yours and yours |
Время Свободного Творчества
Мы предусмотрели специальное время дня, когда Вы можете сконцентрироваться
на том, что для Вас важно на данном этапе Фестиваля.
Возможно, вам захочется:
- Уединиться, переварить полученный опыт, записать свои мысли...
- Поговорить с кем-то, поделиться своими
переживаниями...
- Провести небольшую лабораторию (например, отработать то, чему вы
научились сегодня на интенсиве)...
- Сделать или получить бодиворк...
- Устроить видео- или фотосесссию, заснять видеоперформанс...
- Пойти на танцевальное
свидание...
- Назначить и провести дискуссию по интересующему вас вопросу:
поделиться своим мнением и узнать, что думают другие...
- Устроить спонтанный
перформанс для случайных
зрителей...
- Выступить, заранее
объявив о месте и времени вашего перформанса (опробовать какие-то идеи, собрать
обратную связь, просто проявить творчество)...
- Подготовиться к предстоящему вечернему перформансу
-
Cоединиться с природой
(искупаться в реке/озере или погулять в лесу)
- Просто отдохнуть и поспать...
- Расслабиться
и придумать что-нибудь…
Если вы хотите, чтобы кто-то присоединился к вам в том, что вы будете
делать завтра во Время Свободного Исследования, просто повесьте объявление на стене в разделе "Creative Time",
или объявите в столовой во всеуслышание. Если вам важно,
сколько человек к вам присоединится, не стесняйтесь позаботиться об этом любым
подходящим для вас способом!
Если вам нужна
поддержка, вы можете обращаться к учителям, организаторам, друзьям и другим
участникам фестиваля.
PERFORMANCE RESEARCH labs
The performance research laboratories are meant to become a basis and tool for participants who want to take on the opportunity to perform at the two performances that are happening at the festival site. A lab can be the chance to carry out one small project with a constant group of people or to investigate different themes around performance each day. You can participate in laboratories one or more days.
We would like to create the freedom for the participants to develop ideas and find ways to use them in performance. We want to invite everybody, participating in the festival, students as well as teachers, to propose their ideas and questions for a performance research lab. Ideas could contain how improvisational forms and contact improvisation are a performance art. Including possible themes like trio, site specific, spontaneous composition, how do we communicate within an improvised piece, working with props, the use of voice, sound, music, texts/poetry, relationship to choreography...
These labs can happen only once or continue for several days, depending on demand. People, who feel confident about facilitating group work and enjoy it, are welcome to offer themselves as facilitators, even if they don’t have a personal performance research theme that they want to investigate.
Labs will start on the first day of the festival. Themes will be chosen from a pool of ideas and questions about improvisation and performance, proposed to us in advance before the festival. We will create a system (i.e. blackboard) for this pool to be added to, so that ideas that come up during the festival can be included in the labs, by a new timetable each day.
One to One Sessions
These are 20 min long individual sessions with teachers.
In the begining of the festival there will be list of teachers and time where you can write your name to reserve this time for your lesson.
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festival program
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July 9-12 - Workshop
for beginners and all levels with
Benno Voorham;
July 9-12 - Workshop
for beginners and all levels with
Manuela Blanchard;
July 16th - Teachers performance and the festival project in Moscow Theatre;
July 17 - 24 - Main part of The Festival
8 days of dancing in the countryside;
July 27 - 31 - Contact-tango Workshop
for all levels with Leilani Weis;
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INTENSIVES
The longest and the most important workshops at the festival. Four teachers do their classes separately during five days. On 19, 20, 23 and 24th of July intensives begin at 9.30, on 21st they start at 1330.
CI CLASSES
On 19, 20 and 23rd of July we have Contact Improvisation workshops/classes. They start at 1430.
PERFORMANCE RESEARCH labs
The performance research laboratories are meant to become a basis and tool for participants who want to take on the opportunity to perform at the two performances that are happening at the festival site. A lab can be the chance to carry out one small project with a constant group of people or to investigate different themes around performance each day. You can participate in laboratories one or more days.
We would like to create the freedom for the participants to develop ideas and find ways to use them in performance. We want to invite everybody, participating in the festival, students as well as teachers, to propose their ideas and questions for a performance research lab. Ideas could contain how improvisational forms and contact improvisation are a performance art. Including possible themes like trio, site specific, spontaneous composition, how do we communicate within an improvised piece, working with props, the use of voice, sound, music, texts/poetry, relationship to choreography...
These labs can happen only once or continue for several days, depending on demand. People, who feel confident about facilitating group work and enjoy it, are welcome to offer themselves as facilitators, even if they don’t have a personal performance research theme that they want to investigate.
Labs will start on the first day of the festival. Themes will be chosen from a pool of ideas and questions about improvisation and performance, proposed to us in advance before the festival. We will create a system (i.e. blackboard) for this pool to be added to, so that ideas that come up during the festival can be included in the labs, by a new timetable each day.
ONE-2-ONE SESSIONS
These are 20 min long individual sessions with teachers. In the begining of the festival there will be list of teachers and time where you can write your name to reserve this time for your lesson.
Underscore
An introduction to the Underscore, a long jamming/contact/improvisation score that Nancy has been developing since 1990. The Underscore guides us through a progression of “changing states” of body and mind—from solo sensitizing to gravity and support, into group circulation and contact improvisation engagements, opening out into whole-room compositional awareness and interaction, and back to rest and reflection.
“The Underscore talk” (required for participation in the practice) will give some background and will outline the structure in detail. After this concentrated instruction on the nature of the Underscore, participants will be ready for the physical practice itself, which will include periods of silence and periods of live music improvised/composed by Mike Vargas.
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